I was always a fan of the old-style comics. I loved vaudeville. I loved Milton Berle, Dick Shawn, Phyllis Diller, Don Rickles, Charlie Callas, all those guys. Hilarious. I love the Bing Crosby and Bob Hope movies, and Abbott & Costello. My television influences were 'Monty Python's Flying Circus,' 'Benny Hill,' and 'Hee Haw.'
I play trumpet. And I took all the music courses in college, so I can also play the string instruments, keyboard, the brass and woodwinds - but only well enough to teach them. If you put a violin in front of me, you wouldn't say, 'My God, that guy can play.' It'd probably sound more like Jack Benny.
I've always been the king of silence. I've always been a minimalist comedian. I've taken my influence from Jack Benny, who was the king of that... I've always done 'less is more.'
I love the English. My God, they brought us 'Benny Hill,' 'Monty Python,' 'The Office,' Neville Chamberlain.
If you look at Jack Benny, George Burns, or Don Rickles, they've all had long, successful marriages. So, I think there's something about laughter and the durability of a marriage.
It's very, very corrupting to the spirit, doing comedy. And you have to be almost a saint, like Jack Benny was, like Steve Martin is, to avoid the corrupting of it, because there's very little work where the actual work and the reward are simultaneous, and comedy is that.
When they asked Jack Benny to do something for the Actor's Orphanage - he shot both his parents and moved in.
As for my band, well, my mentors were Duke Ellington, Benny Goodman, Jimmie Lunceford, and no one had a band more smartly dressed than Duke.
Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.
My idol was Jack Benny and he was the master of subtlety and timing.