There was a period of time when they estimated the two biggest stars in Hollywood were Charlie Chaplin and Mickey Mouse.
I grew up watching Charlie Chaplin and Buster Keaton.
If people don't sit at Chaplin's feet, he goes out and stands where they are sitting.
Bob Dylan may be the Charlie Chaplin of rock n' roll. Both men are regarded as geniuses by their entire audience. Both were proclaimed revolutionaries for their early work and subjected to exhaustive attack when later works were thought to be inferior. Both developed their art without so much as a nodding glance toward their peers.
I read every book about Buster Keaton and Chaplin to see how they worked - it's all about dedication, tunnel vision, pursuit of perfection, getting the gag right.
Comedy comes from a place of hurt. Charlie Chaplin was starving and broke in London, and that's where he got his character 'the tramp' from. It's a bad situation that he transformed into comedic one.
I think I'm going to pull a Charlie Chaplin and have kids when I'm 60.
If you know anything about James Whitcomb Riley, you know that Little Orphan Annie is one of the most fantastic characters who ever lived in America before Charlie Chaplin.
I don't want to compare myself to him - I don't want people to see me as this great genius - but when I see Charlie Chaplin's movies there is a combination of drama, naivety and social meaning that I can see in myself, at a different level.
I remember vividly seeing 'Tarzan' and Fred Astaire, the Chaplin films, Fred Astaire musicals, MGM, because of my mother. She was just interested in everything and she took me to opera and ballet, and then ballet got me hooked.