Usually, you get to interview that one girl who plays the sister on some Disney show - you interview that girl a lot - but sometimes, every once in a while, you get to interview a legend. I have interviewed some amazingly iconic people, including Michelle Obama, Oprah, Sidney Poitier and Judy Dench. These people are legit icons.
There's always a sense of tragedy with icons. It happened to both the Princess of Wales and Diana Dors. A lot of people had grown up with them, and everybody loved them. Then, when they had at last found happiness, they were taken in the most dreadful way.
Wherever you go, there are three icons that everyone knows: Jesus Christ, Pele and Coca-Cola.
'George' exploits John Kennedy Jr.'s cult of celebrity at a time when Americans are hungry for icons, not heroes.
If Abstract Expression reached for the sublime, Pop turned ordinary imagery into icons. Roy Lichtenstein and Andy Warhol illuminated the transformative power of context and the process of reproduction. Claes Oldenburg's soft ice-cream cones and hamburgers changed sculpture from hard to soft, from stasis to transformation.
I look at the careers of people I'm standing on the shoulders of. People like Lena Horne, Ella Fitzgerald, Sammy Davis Jr., and Sarah Vaughan. These are icons I wanted to emulate, and I feel like they've been holding me up for quite a long time.
Music and fashion have had a kind of incestuous relationship since the Fifties. It started with people like Elvis Presley and pop icons like James Dean. Then it exploded in the MTV days. Now, with the Internet, it's instantaneous.
Gay icons usually have some tragedy in their lives, but I've only had tragic haircuts and outfits.
My style icons would be people like Brigitte Bardot and old Hollywood actresses who always look so stunning, cool and chic. I like classic and timeless looks.
I like to believe that rather than destroy icons, I make new ones.