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Do you know what would hold me together on a battlefield? The sense that I was perpetuating the language in which Keats and the rest of them wrote!
All my early books are written as if I were Indian. In England, I had started writing as if I were English; now I write as if I were American. You take other people's backgrounds and characters; Keats called it negative capability.
I attended school regularly for three years. I learned to read and write. 'Lamb's Tales' from Shakespeare was my favourite reading matter. I stole, by finding, Palgrave's 'Golden Treasury.' These two books, and the 'Everyman' edition of John Keats, were my proudest and dearest possessions, my greatest wealth.
When I read Andrew Motion's biography, I wept. It's something about the purity of the story and how fresh it was because of the love letters Keats wrote.
Eight years ago, I was drawn into Keats's world by Andrew Motion's biography. Soon I was reading back and forth between Keats's letters and his poems. The letters were fresh, intimate and irreverent, as though he were present and speaking. The Keats spell went very deep for me.
I lost many literary battles the day I read 'Their Eyes Were Watching God.' I had to concede that occasionally aphorisms have their power. I had to give up the idea that Keats had a monopoly on the lyrical.
You know who my gods are, who I believe in fervently? Herman Melville, Emily Dickinson - she's probably the top - Mozart, Shakespeare, Keats. These are wonderful gods who have gotten me through the narrow straits of life.
I want to read Keats and Wordsworth, Hemingway, George Orwell.
I can get very philosophical and ask the questions Keats was asking as a young guy. What are we here for? What's a soul? What's it all about? What is thinking about, imagination?
On a summer night it can be lovely to sit around outside with friends after dinner and, yes, read poetry to each other. Keats and Yeats will never let you down, but it's differently exciting to read the work of poets who are still walking around out there.