I did 'Lone Star Love' in 2007 with Randy Quaid, and that was supposed to come to Broadway at the Belasco and a marquee went up and everything... and it all fell apart, and that marquee came right down, and we got severance pay. And, it was very sad.
I certainly wanted my name in lights. I wanted my name on a marquee. I wanted recognition on Broadway.
I went to see John Mayall at the Marquee, with Peter Green on guitar, and that was a particularly good gig.
We did a gig at the Marquee and we were supposed to be paid five pounds but we never got it, and it cost us something like 10 pounds in petrol to get there to do it. So what we did was steal some equipment from The Marquee.
Health care reform, the marquee legislative accomplishment of the Obama administration's first term, was passed before we entered the world of divided government.
Strangely enough, I wasn't into fast guitarists. I preferred Peter Green's subtle touch. I saw him with John Mayall's Bluesbreakers at the Marquee Club in London and was very impressed. He was the only guitarist I've ever seen to turn the volume control on his guitar down during a solo.
When your name is on the marquee, you either get the glory or you get the hits.
I've never thought of my name at the top of the marquee in any particular terms other than, you know, slight bewilderment.
All they had to do was put my name on a marquee and watch the money roll in.
I hope I'm in a position to make stuff that I really want to make as opposed to stuff that I just have to make for money reasons, or to sustain a certain marquee value.