I woke up one morning thinking about wolves and realized that wolf packs function as families. Everyone has a role, and if you act within the parameters of your role, the whole pack succeeds, and when that falls apart, so does the pack.
Human beings either function as individuals or as members of a pack. There's a switch inside us, deep in our spirit, that you can turn one way or the other. It's almost always the case that our worst behaviour comes out when we're switched to the mob setting. The problem with a lot of software designs is that they switch us to that setting.
Most human beings have enough sense to know that if they work in a city that has a serious smog problem, it's wise to either stay indoors or at least wear a mask that will filter out the poison. But cigarette smokers have their own little concentrated toxic smog pack that they don't avoid.
A gang is the same as a wolf pack; gang members do not use their energies in friendship with one another, for they do not know what friendship is. If they are united, it is by the common bond of a desire to attack their world.
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then, and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
I know that the last thing a book wants is to just sit around unread, serving as an element of interior decorating. So when I have people over, all they have to do is glance at my books, and I implore them to take a few home with them. If I am really ambitious, I pack books into boxes and donate them to prisons.
All species capable of grasping this fact manage better in the struggle for existence than those which rely upon their own strength alone: the wolf, which hunts in a pack, has a greater chance of survival than the lion, which hunts alone.
I consider my job as a screenwriter to pack a script with possibilities and ideas - to create a feast for the filmmaker to pick from.
If I'm doing a story on how a single mother copes in a refugee camp, I'll go to her tent; I'll follow her when she's working, see what her daily life is like, and try to pack that into one composition, with nice light, in one frame.
When the fishbowl gets too small, it's time to pack up and leave and jump into the lake or ocean.