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But short films are not inferior, just different. I think the short gives a freedom to film-makers. What's appealing is that you don't have as much responsibility for storytelling and plot. They can be more like a portrait, or a poem.
Right before 'American Dreams,' I started to pursue these avenues, like short films and getting into a couple night courses to really study photography and cinematography, and the language of visual storytelling.
I was in the school plays, I did a lot of music. I carried on through university for short films and loads of plays.
It's funny: I put money into short films, and I put really good actors in it, and I write some stuff that's really funny, and I'll get, like, a million views. But to the right of me, there will be a video of a kitten that falls into a toilet bowl, and it's three seconds long, and it will get 25 million views.
I'd already started directing short films when we were doing 'Lord of the Rings,' then videogame projects.
I have a lot of incomplete short films and incomplete scripts out there.
Go out and make something that reflects your interests, your taste, and your ideas. No one will pay you to make something until you have a few things you can show that you've directed. I got my start by making short films on my own.
Short films really helped me develop as a story teller, animator, and as a director.
I think it's a mistake for young filmmakers to just buy digital equipment and shoot a feature. Make short films first, make your mistakes and learn from them.
When I do short films, I try to do something completely out of my comfort zone, out of my element.