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I always listen to all kinds of different music from different years. I listen to the contemporary, but once in a while into eighties, you know just for fun, and sometimes classical too. So I have this big mix on my i-pod... Amy Winehouse, Gwen Stefani, OutKast, Jay-Z. I listen to trance, pop, everything. It really depends on my mood.
I tried to sing 'What's Going On' with Amy Winehouse once at an old cinema in the West End. There was a funk band that had members of both of our bands playing in it, but it was the worst kind of place to sing bad karaoke because everyone there was an amazing singer or musician.
I've always dreamed of growing up to be Amy Poehler.
Even when I'm playing someone named 'Fat Amy.' I'm all about confidence and attitude.
'At the Gates of the Animal Kingdom' by Amy Hempel showed me the lean quality of prose.
When my children say, 'In the future, Mummy, will things get better or worse for humanity?' I say: 'Who knows, since Amy Winehouse died. It's all in the air now. Eat your broccoli.'
Amy Poehler, Kristen Wiig, Maya Rudolph - when they speak, everyone listens. Because they're freaking hilarious.
If you take my stuff apart, you'll find my choruses of repetitions are picked up almost verbatim from Kurt Vonnegut, and my distanced fracture quality is all from Amy Hempel, who's probably my favourite writer.
I'm always looking for a way to surprise audiences. That's, I feel, my job as a director. I felt that Amy Adams playing a tough woman in 'The Fighter' was a surprise. People saw her as a princess.
I didn't know Kurt Cobain or Amy Winehouse, but I was affected by both of their deaths because I admired their work so much and mourned their youth and work they would never produce.