However far fiction writers stray from their own lives and experiences - and I stray pretty far from mine - I think, ultimately, that we may be writing what we need to write in some way, albeit unconsciously.
I read somewhere once that in the 1960s, fiction writers were troubled by the notion that life was becoming stranger and more sensational than made-up stories could ever hope to be. Our new problem - more profound, I think - is that life no longer resembles a story. Events intersect but don't progress. People interact but don't make contact.
I think songwriters are more related to fiction writers. The Odyssey was a story in song. To me, that's so beautiful, all those painted characters, all those travels and adventures.
I love science fiction. I always have, ever since I was a kid. I love a lot of science fiction writers. William Gibson is one of my favorite writers.
I've always loved science fiction. I think the smartest writers are science fiction writers dealing with major things.
I've seen a lot of the United States, having stayed in so many different cities and towns for work. It's such a strange and fascinating country, and instead of learning about it through a textbook, I would rather discover its history and traditions and institutions through fiction and nonfiction writers.
A writer's obligation is to invent: to go beyond what did happen and to look at what could have happened but didn't. Fiction writers are born liars.
The novelist's obligation to remake the sensuous texture of a vanished world is also the historian's. The strongest fiction writers often do deep research to make the thought and utterances of lost time credible.
Science fiction writers foresee the inevitable, and although problems and catastrophes may be inevitable, solutions are not.
The dilemma felt by science fiction writers will be perceived in other creative endeavors.