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There's something really appealing about the simplicity of black-and-white images.
Everything is not black-and-white. I'm really interested in the gray area - not justifying it, not glorifying it, not condoning it, but at least having people see there's a genesis for every event in our lives. There's some divine order to it, whether it's ugly or beautiful.
I was always most interested in drawing - most of my childhood drawings are black-and-white line work. And when I kind of abandoned comics, through college and art school, I was doing a lot of painting. But once I started doing comics again, everything else just fell by the wayside.
George Bush made a mistake when he referred to the Saddam Hussein regime as 'evil.' Every liberal and leftist knows how to titter at such black-and-white moral absolutism.
I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.
Nothing is black-and-white, except for winning and losing, and maybe that's why people gravitate to that so much.
All actors bring something unexpected to the role because they have to translate what's on the page and make a real character out of the black-and-white text that's there in the script.
There is no black-and-white situation. It's all part of life. Highs, lows, middles.
I think the truth is black-and-white.
It doesn't matter if it's black-and-white. If a movie has a story that is filled with emotion, you can have as much pleasure, and it's very good for cinema.