That balance between involvement and detachment is what novelists do. It's the ideal relationship between a novelist and a character, I think, total involvement and identity and empathy, stopping short of being autobiographical - in my case, anyway - but also quite detached.
Both religions and musicals work best with energetic and committed believers. Cynicism or detachment would have destroyed the magic - something true of religion, too.
Detachment is what interests me, seeing how people couldn't have been any other way, how they were the product of forces that they had no control over.
To be consistently effective, you must put a certain distance between yourself and what happens to you on the golf course. This is not indifference, it's detachment.
Sometimes you'll see people give performances in comedy with an ironic detachment where they'll sort of be remarking on the character from outside of it. They're sort of commenting as they're playing the character. I think it's hard not to do that. I've certainly done that.
The essence of the Way is detachment.
Detachment produces a peculiar state of mind. Maybe that's the worst sentence of all, to be deprived of feeling what a human being ought to be entitled to feel.
When I wrote 'We Were The Mulvaneys,' I was just old enough to look back upon my own family life and the lies of certain individuals close to me, with the detachment of time. I wanted to tell the truth about secrets: How much pain they give, yet how much relief, even happiness we may feel when at last the motive for secrecy has passed.
Obedience is detachment from the self. This is the most radical detachment of all. But what is the self? The self is the principle of reason and responsibility in us. It is the root of freedom, it is what makes us men.
In our Western culture, although death has come out of the closet, it is still not openly experienced or discussed. Allowing dying to be so intensely present enriches both the preciousness of each moment and our detachment from it.