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To see how many Italians are going out of Italy, the sort of exodus, a great generation leaving my country, I think is the worst nightmare for me as prime minister but also for the country, of course.
We know a great deal about the configuration of the menorah from the biblical book of Exodus. Beaten out of solid gold, the ancient candelabrum boasted six branches emerging from a seventh, its central shaft. The menorah was adorned with golden buttons, cups, and flowers.
The metaphor of Exodus is one that has dogged the Jews from the outset. Their very success attracts resentment.
If I'm ever feeling uninspired, all I have to do is go see Exodus or Arch Enemy, and think 'Oh yeah, that's what we're doing this for.'
There's something really powerful when I, for example, hear Bob Marley's 'Exodus' - we know where we're going. We know where we're from.
There's a reason the Exodus story has inspired so many Americans. It's a narrative of hope.
It's no secret that in New York during the last 30 years there has been a tragic exodus from the churches into materialism, secularism and humanism.
There is a movement in club football, which I don't necessarily consider a prime example of solidarity, because it leads us to conclude the rich are getting richer and they are using everything in the market to create an exodus from Africa.
Jews read the books of Moses not just as history but as divine command. The question to which they are an answer is not, 'What happened?' but rather, 'How then shall I live?' And it's only with the exodus that the life of the commands really begins.
You know that Moses was spinning like crazy in Exodus XIV through XVII when the Jewish people wanted to go back and become a place again because tramping through the desert was a bit too hard.
