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Any professional knows that the flute and the piano is a boring combination. All you've got to arrive at is a kind of typical gestural crap, right? You might agree, though you wouldn't call it gestural crap.
I've played every instrument you could possibly think of for 10 minutes. So I'm mediocre at everything. I can play drums, guitar, piano, violin, saxophone, clarinet, flute... Just not well.
I was not a great guitarist, so I sold my 1960 Fender Stratocaster in exchange for a Shure Microphone, made in Chicago, and a flute.
I do not consider my self as having mastered the flute, but I get a real kick out of trying.
My real fantasy if I was to drop out would be to live in a mobile home and be a hippie and drive around festivals and have millions of children - children with dreadlocks and nose rings - and play the flute.
I would prefer to live forever in perfect health, but if I must at some time leave this life, I would like to do so ensconced on a chaise longue, perfumed, wearing a velvet robe and pearl earrings, with a flute of champagne beside me and having just discovered the answer to the last problem in a British cryptic crossword.
It's very important for me to try to relax when I'm travelling, and playing my flute helps me to unwind.
Mozart's seeming frothiness is just a light touch with very profound material. That's what I've found working on 'The Magic Flute.'
Basically, I like to pick up my flute, which is a pretty instrument, and play pretty on it.
The Woodstock dove on the iconic poster is really a catbird. And it was originally perched on a flute.