I grew up with horses when I was a kid in Argentina. I like them. I respect them. I'm careful around them. You never know what they're going to do. They're endlessly interesting. I've had some good acting partners that were horses over the years.
Good acting is consistency of performance.
With film, you have very limited tools to convey subjectivity - voiceover, the camera's point of view, good acting - but even the very best actor in the world is crude by comparison with what you can do in a written paragraph.
Every film by Will Smith, Harry Belafonte, Sidney Poitier, Lena Horne, Ruby Dee, Don Cheadle will have great acting and carry good messages in the film. The films starring those actors are the films I tell young people to watch for good acting and to view for quality movies.
Good acting comes from finding the essence of a character.
I have learned a lot from jazz. I compare good acting to jazz music. The more you study and prepare as an actor, the more equipped you are to live in the moment. Just like the gifted musicians in my dad's quartet, it takes a courageous actor to be free.
I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.
Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
Good acting is good acting, however you learn it. Some people who haven't studied are amazing. Some people like Leonardo DiCaprio are naturally gifted - he's learned technique by working with people early on.
I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.