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The thing about Memphis is that it's pleasingly off-kilter. It's a great big whack job of a city. The anti-Atlanta. You go there, and you can't believe the things people will say, the way they think, the wobbling orbits of their lives. There's an essential otherness.
I love Motown, but I've obviously always been more of a Memphis soul fan. If it's Stax or Motown, I go Stax.
Memphis is in a very lucky position on the map. Everything just gravitated to Memphis for years.
I got arrested once on stage in Memphis for looking too much like Liza Minnelli.
Many cities make music, but no city breathes music quite like Memphis. The songs and sounds that come from here are uniquely American.
Museums do not share their collections with other museums unless they get something in exchange. The Metropolitan will deal with the Louvre, but will they send their stuff to Memphis? No.
I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a life-changing event for me: there were gay people, on the stage, and they all lived in New York.
Judging from what looks like the popularity of this classic wrestling show is that the people like what they have grown to know and love here in Memphis.