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Once upon a time, growing up male gave little boys a sense of certainty about the natural order of things. We had short hair, wore pants, and played baseball. Girls had long hair, wore skirts, and, no matter how hard they tried, always threw a baseball just like a girl.
'Frankenstein' was all about the idea that, through electricity and the destruction of night, man creating light and darkness, we took on god-like powers and then abused them like gods, and we are only men. That's a story about man making a man in his own image. The inversion of natural order.
All European tradition, Marxism included, has conspired to defy the natural order of all things. Mother Earth has been abused, the powers have been abused, and this cannot go on forever. No theory can alter that simple fact. Mother Earth will retaliate, the whole environment will retaliate, and the abusers will be eliminated.
I am inherently a little brother - that's just my nature. It has to do with my sister being very strong and wanting to protect me. It's the natural order of things.
My work since the late '80s specifically questioned what was presented as the 'natural' order of things in the history of post-war-N.Y. painting.
Because a human being is endowed with empathy, he violates the natural order if he does not reach out to those who need care. Responding to this empathy, one is in harmony with the order of things, with dharma; otherwise, one is not.
There is no 'natural' order, only the way things are.
That's all about the natural order of things, the idea of nature protecting children but also children protecting nature.
In fact, quantitative findings of any material and energy changes preserve their full context only through their being seen and understood as parts of a natural order.
Compassion has no place in the natural order of the world which operates on the basis of necessity. Compassion opposes this order and is therefore best thought of as being in some way supernatural.