Our judgment and moral categories, our idea of the future, our opinions about the present or about justice, peace, or war, everything, without excluding our rejections of Marxism, is impregnated with Marxism.
I've grown up seeing the pros and cons but I love it and I've always wanted to act. Throughout all the rejections at auditions, and especially when I finally did get something, both my parents have been so supportive and always told me it is all about passion and, if I was doing it because I love it, there's no wrong choice.
I include myself in the posters because I feel like it forms a more intimate relationship between the artist and the person passing by. And it's important to include some vulnerability and use fears and rejections and various aspects from my own life so people look at my work as more than greeting card fodder.
Audrey was a princess, so natural, the camera really loved her... James and I kept each other company during all the rejections. We used to meet, have a cup of coffee and went from office to office to get work and never got work.
I got nice rejections explaining that historical fiction was a difficult sell. But I kept trying.
Save your rejections so that later when you are famous you can show them to people and laugh.
But on the extremist side I didn't get any rejections at all. Everyone agreed to talk to me.
I need work. I still audition for work. I don't get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.
I couldn't tell you the ratio, but probably for every job you see me do, there would be 20 rejections.
These rejections hurt me terribly because I felt it was my life that was being rejected.