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I didn't realize how many true Rockabilly fans there were here in America.
For me, rockabilly is very, very exciting music. It's electric and kind of wild, you know? It's 'make your hairs stand up on the back of your neck' kind of music.
To me, rockabilly music paralleled punk's energy and feeling, but the players were much better.
I called it Rockabilly 'cause I was rocking the strums, which you're not supposed to do.
With the Stray Cats at least, we really took the music somewhere else. First, we wrote our own songs. That's a real weak point in modern classics if you do rockabilly or blues.
For every rockabilly festival staged here, there are 10 held overseas.
I was born in San Francisco. I was raised in Oakland, so I'm, like, super Bay Area born, and, you know, it's just really multicultural up there, and there's a lot of subcultures just from, like, anything, like from rockabilly to, like, crazy punk scenes to, you know, a huge rap scene, and there's just all kinds of things you can do out there.
I'm not God's gift to rockabilly. There's great players out there, and some of them deserve a lot more than they've gotten.
I obviously had my reggae, but I got quite into rockabilly when I was a kid, because I was trying to find something that represented me as a white person.
I guess my favorite artists are The White Stripes or Tom Waits. The more theatrical the music is, the more I get into it. I also like the quieter folk music, that kind of old-school rockabilly or country. I'm not really picky when it comes to music, as long as it's honest.