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Every decade, we get a stunning collection of dynamic, heartbreaking short stories. In the past, those collections came from Barry Hannah, Mark Richard, and Thom Jones.
My favorite author is Anton Chekhov, not so much for the plays but for his short stories, and I think he was really my tutor.
Oscar Wilde always makes me smile - with respect and admiration. His short stories prove that it is possible to be both sarcastic, even cynical, but deeply compassionate. Just seeing the cover of one of Wilde's books in a bookshop makes me smile.
I was a good student, but a speech impediment was causing problems. One of my teachers decided that I couldn't pronounce certain words at all. She thought that if I wrote something, I would use words I could pronounce. I began writing little poems. I began to write short stories, too.
As an actor, there is room for a certain amount of creativity, but you're always ultimately going to be saying somebody else's words. I don't think I'd have the stamina, skill or ability to write a novel, but I'd love to write short stories and poetry, because those are my two passions.
'Knockemstiff' is a collection of short stories set in the holler of the same name in southern Ohio where I grew up. I tried to link the stories together through the place and some recurring characters.
Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there.
How much energy is wasted in Italy in trying to write the novel that obeys all the rules. The energy might have been useful to provide us with more modest, more genuine things, that had less pretensions: short stories, memoirs, notes, testimonials, or at any rate, books that are open, without a preconceived plan.
I was well traveled, and I created this illusion of literacy through reading and writing. I wrote a book of short stories.
But at the same time, I have trouble keeping things out of books, which is why I don't write short stories because they turn into novels.