As with instant replay, NFL Films' use of slow motion, camera angles and the narration of Facenda was not just a technical breakthrough but a conceptual breakthrough.
Most days it feels as if the world is whirling around me and I am standing still. In slow motion, I watch the colors blur; people and faces all become a massive wash.
Watching cold fusion is like watching water boil in slow motion. First, sufficient deuterium has to penetrate the palladium electrode. This can take a few weeks. Then, if excess heat is generated during the next month or two, accurate temperature readings require extreme precautions to exclude environmental effects.
Everything feels like you're in slow motion and everything you do seems like it's about two or three plays of what everybody else is doing.
That's why, to experience that, you know for a fact that a human being is capable of so much more, because to go to that place and to step outside yourself and observe yourself do these things, while the rest of the world is moving in slow motion, is really incredible.
I've always felt music is the only way to give an instantaneous moment the feel of slow motion. To romanticise it and glorify it and give it a soundtrack and a rhythm.
Actors' performances in films are enhanced in a million different ways, down to the choice of camera shot by the director - whether it's in slow motion or whether it's quick cut - or... the choice of music behind the close-up or the costume that you're wearing or the makeup.
No matter how fast or how slow you get to the quarterback, it all goes to slow motion when you get there. Everything just stops. You don't see anything but the quarterback. You don't hear anything but the quarterback's breath. It's almost like you're a shark. Your eyes get real big and everything's just quiet.
I was at a picnic, and there were a lot of songwriters. I remember praying, 'God I wish you would give me a song.' About five minutes later, my ears popped, and I saw everybody in slow motion. Nobody knew what I was experiencing.
There were probably about five games in my career where everything was moving in slow motion and you could be out there all day, totally in the zone, and you don't even know where you are on the field, everything is just totally blocked out.