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In the early '90s, it was grunge; everybody was fully clothed. Alanis Morissette was one of the biggest artists in the world, never wore makeup, wearing Doc Marten boots, and then the Spice Girls turn up, and suddenly it all looks a bit burlesque; suddenly they're the biggest band in the world.
'Spice Girls' is about unifying the world - every age, every gender, everyone. It's woman power, it's an essence, a tribe.
Of course, I loved the Spice Girls. I loved Geri and Baby, but who liked Posh Spice? They said I looked like her, and I said: 'That's not cool, that's really mean.'
No one talks about woman power. The Spice Girls - they're masquerading as little girls. It's repulsive.
I was signed to a record label when I was younger. I was in a group, and I just wasn't - personally, I wasn't ready to get out there. I don't know. It was a pop group. Not like the Spice Girls, but when you don't have any control over anything, it's disheartening.
S Club 7, in some ways, was a continuation of some of the things I'd have liked to have done with the Spice Girls. It was also a shift in tone. S Club was this equality of boys and girls, very positive, very uplifting, didn't have the edge of the Spice Girls. I didn't want to repeat it.
Being in the Spice Girls was an insane experience.
I wouldn't say there's a need for the Spice Girls, but I'd say there's a place for the Spice Girls. There's certainly a place for them, but you don't promote the Spice Girls at the expense of promoting what I think are good role models for girls. You need to create some kind of equality.
The first album I bought was the Spice Girls, ha ha.
Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.
