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My father was a trained accountant, a BCom from Sydenham College and a self-taught violinist. In the 1920s, when he was in his teens, he heard a great violinist, Jascha Heifetz, and he was so inspired listening to him that he bought himself a violin, and with a little help from an Italian teacher, he learned to play it.
Every violinist has a different style, so it's important to be able to recognise their styles. You don't have to like everyone's style but you have to know these styles.
I first played the Royal Albert Hall when I was 14. I was a violinist with the Birmingham Schools Concert Orchestra, and we travelled down from the Midlands for the last night of the School Proms. We played some pieces from the Harry Potter films, and the violin parts were really hard.
When you can hear a violinist, that is better than you, then you learn from him, because if you play with somebody who is worse than you, then you go down.
I was always jealous of my violinist friends and cellist friends who traveled with their instruments.
Remember always that the composer's pen is still mightier than the bow of the violinist; in you lie all the possibilities of the creation of beauty.
I knew I could never match my father as a violinist, and there were already four generations of outstanding cellists in the family.
It is as absurd to say that a man can't love one woman all the time as it is to say that a violinist needs several violins to play the same piece of music.
I'm one of the boys, no better than the last second violinist. I'm just the lucky one to be standing in the center, telling them how to play.
Aleksey and I have gathered together a bunch of kindred spirits who are also versatile musicians. We have a violinist who eats fire, another who is an acrobat, and a flutist who beats boxes. We hope in years to come to tour the U.S. with our 'League of X-traordinary musicians.'