Basquiat Quotes
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
[first lines]
Rene: Everybody wants to get on the Van Gogh boat. There's no trip so horrible that someone won't take it. The idea of the unrecognized genius slaving away in a garot is deliciously foolish one. We must credit the life of Vincent Van Gogh for really sending this myth into orbit. I mean, how many pictures did he sell, one? He couldn't give them away. He has to be the most modern artist, but everybody hated him. He was so ashamed of his life that the rest of our history will be contribution to Van Gogh's neglect. No one wants to be part of a generation that ignores another like Van Gogh. In this town, one is at the mercy of the recognition factor. One's public appearance is absolute. Part of the artist's job is to get the work where I will see it. I consider myself a metaphor on the public.
Basquiat: [scrawls onto a pillar] PAY FOR SOUP BUILD A PORT SET THAT ON FIRE -SAMO
Rene: Everybody wants to get on the Van Gogh boat. There's no trip so horrible that someone won't take it. The idea of the unrecognized genius slaving away in a garot is deliciously foolish one. We must credit the life of Vincent Van Gogh for really sending this myth into orbit. I mean, how many pictures did he sell, one? He couldn't give them away. He has to be the most modern artist, but everybody hated him. He was so ashamed of his life that the rest of our history will be contribution to Van Gogh's neglect. No one wants to be part of a generation that ignores another like Van Gogh. In this town, one is at the mercy of the recognition factor. One's public appearance is absolute. Part of the artist's job is to get the work where I will see it. I consider myself a metaphor on the public.
Basquiat: [scrawls onto a pillar] PAY FOR SOUP BUILD A PORT SET THAT ON FIRE -SAMO
Henry Geldzahler: He used to, Nixon used to have a room at the Waldorf Astoria, but then he moved to Saddle River, New Jersey.
Jack Milo: Saddle River's in New York.
Andy Warhol: I think it's in New Jersey.
Jack Milo: New York.
Andy Warhol: It's... it's in New Jersey.
Jack Milo: Saddle River's in New York!
Jack Milo: Saddle River's in New York.
Andy Warhol: I think it's in New Jersey.
Jack Milo: New York.
Andy Warhol: It's... it's in New Jersey.
Jack Milo: Saddle River's in New York!
Rene: What is it about art anyway that we give it so much importance? Artists are respected by the poor because what they do is an honest way to get out of the slum using one's sheer self as the medium. The money earned, proof, pure and simple, of the value of that individual, the artist. The picture a mother's son does in jail hangs on her wall as proof that beauty is possible even in the most wretched. And this is a much different idea than fancier notion that art is a scam and a ripoff. But you can never explain to someone who uses God's gift to enslave, that you have used God's gift to be free.
