Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
The dream was not to put one black family in the White House, the dream was to make everything equal in everybody's house.
The breakdown of the black community, in order to maintain slavery, began with the breakdown of the black family. Men and women were not legally allowed to get married because you couldn't have that kind of love. It might get in the way of the economics of slavery. Your children could be taken from you and literally sold down the river.
I don't like to see projects that are all black or all white. It's how life is. I do like to make sure that I do a nice black family film; that's like keeping my home base. I do other things, but I like to always come back to a positive family film, because of all the negative influences today.
I think that many black people thought this would be a wonderful and extraordinary thing, for a black family to occupy the White House. Not only black people; a lot of white people thought that, too, but particularly black people.
The black family survived centuries of slavery and generations of Jim Crow, but it has disintegrated in the wake of the liberals' expansion of the welfare state.
I've gotten a firsthand view at the destruction that black men and black women not being able to stay and build healthy relationships has had on the black family and black children.
A racially integrated community is a chronological term timed from the entrance of the first black family to the exit of the last white family.
We were the only black family in an estate with 1,000 white families. Liverpool being quite racist in the Sixties, it was a bit grim growing up.
You know, growing up, I lived in a neighborhood in Long Island where there was basically one black family. And I remember hearing all the parents and the kids in the neighborhood say racist things about this family.