It's sad that the BBC is toning down Dennis the Menace for a cartoon series. He is losing his weapons, catapult and peashooter, will no longer pick on Walter the Softy, and his ferocious grimace is to be replaced by a charming, boyish smile.
Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw.
I love an underdog. No, I don't necessarily mean the cartoon. I mean like David, as in Goliath, or the Bears, as in The Bad News Bears.
Two words guided the making of 'Babel' for me: 'dignity' and 'compassion.' These things are normally forgotten in the making of a lot of films. Normally there is not dignity because the poor and dispossessed in a place like Morocco are portrayed as mere victims, or the Japanese are portrayed as cartoon figures with no humanity.
Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better - as in the 'Chronicles Of Narnia,' 'The Wizard Of Oz,' 'The Phantom Tollbooth,' the 'Dungeons & Dragons' cartoon on Saturday morning in the '80s.
Cartoon Hangover has given us another place we felt we could find the most talented people around the world and give them a chance to make the films they want to make and match it up with their audience.
You can't think that you're playing a villain, or you'll end up with a cartoon. You have to think about him as a person and a hero.
Kids cannot follow stories. They don't know what the hell is going on in a cartoon. They like to see funny visual things happening.
All I want is for people not to see me as this cartoon monster.