Since I first fell in love with choral music when I was 18 and began composing at 21, I've been listening to these recordings of British choirs. I just fell in love with that sound - that pure, clean, pristine sound - and I think it's probably been the biggest influence on my sound.
I sang in a reggae band. And then there was a soul band where I sang back-up vocals and some lead. And I was also in a women's a capella group. And I was in the gospel choir at school. Actually, I've always been in choirs. Or some kind of group. Just because I love singing so much. But I truthfully never thought of it as a career.
I knew how to sing in choirs and sing in church, but I didn't know how to sing in a studio. That's what Darlene and the Blossoms taught me to do - to be a studio singer.
I grew up loving music, like, loving it. I was involved in church choir, leading worship and all the choirs in my school - even glee club.
I actually started singing in church when I was about five years old. I remember looking at the choirs and just hearing all of those great big beautiful voices. And there was this one woman who could just wail. And I remember trying to sing like her when I was like going home.
But how odd that in this heathen nation of empty pews, where churches' bare, ruined choirs are converted into luxury loft living, a Labour government - yes, a Labour government - is deliberately creating a huge expansion of faith schools.
For why should we not admire more the angels themselves and the blessed choirs of heaven?
I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.
I always sang in church always was in a gospel choir and directed choirs and always performed, but I never thought of it as a powerful thing.
I sang a lot as a little girl and entered competitions. I loved singing in choirs, but it was as I got older that I really found my voice.