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Formula for success: rise early, work hard, strike oil.
Bob Dylan may be the Charlie Chaplin of rock n' roll. Both men are regarded as geniuses by their entire audience. Both were proclaimed revolutionaries for their early work and subjected to exhaustive attack when later works were thought to be inferior. Both developed their art without so much as a nodding glance toward their peers.
When I and the other young artists were working in comics, our work carried with it a particularly American slant. After all, we were Americans drawing and writing about things that touched us. As it turned out, the early work was, you might say, a comic book version of Jazz.
I think everything I do is my early work. I can't wait to get on to the later stuff.
In my early work, our molecular views of telomeres were first focused on the DNA.
For years, my early work with Roger Penrose seemed to be a disaster for science. It showed that the universe must have begun with a singularity, if Einstein's general theory of relativity is correct. That appeared to indicate that science could not predict how the universe would begin.
As I look over my work, I mean every time I look over my early work, I see, yes, I could do that then and then I could do that and that... That may be the hardest thing for a writer, at least for a poet, to tell what the identity of his work is.
My early work and publications centered around expanding on the analysis of life insurance in my dissertation and its relationship to investment banking.
It is very important that our young people have constructive early work experiences. But it is equally important that their jobs are safe and complement their education, rather than complete it.
Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.