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I like live audiences, with real people - virtual reality is no substitute.
What pedophiles and people who have sexual desires on children lose sight of to a terrible, terrible degree - a devastating degree - is that their victims are real people who will suffer forever whatever abuses are perpetrated on them.
Every second, every day, every year, we fail to address demand for reproductive health and family planning services. Lives are lost, and girls' opportunities to thrive and contribute to their country's development shrink. These are real people.
I'm not in the business of meddling with people's destinies - and yes, my characters are real people to me. They have histories and thoughts and yearnings and hurts and misgivings and pleasures that don't belong to me.
You should play with real musicians; the best music comes from real people interacting with each other.
Right is right, and wrong is wrong, and when people start getting it confused, that means they need to sit down with some real people.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
I think maybe people see bands and musicians as some sort of superhero unrealistic sport that happens in another dimension where it's not real people and not real emotions. So, I grew up listening to Beatles records on my floor. That's how I learned how to play guitar. If it weren't for them, I wouldn't be a musician.
The thing that will never go away is that connection you make with a band or a song where you're moved by the fact that it's real people making music. You make that human connection with a song like 'Let It Be' or 'Long and Winding Road' or a song like 'Bohemian Rhapsody' or 'Roxanne,' any of those songs. They sound like people making music.
We're all used to seeing pretty people. I want to see real people.