People say satire is dead. It's not dead; it's alive and living in the White House.
All satire is blind to the forces liberated by decay. Which is why total decay has absorbed the forces of satire.
Popular culture bombards us with examples of animals being humanized for all sorts of purposes, ranging from education to entertainment to satire to propaganda. Walt Disney, for example, made us forget that Mickey is a mouse, and Donald a duck. George Orwell laid a cover of human societal ills over a population of livestock.
If you're going to get into social criticism with absurdity and satire, you can't be politically correct when you do that.
Satire also allows you to make fun of every different aspect. It allows you to make fun of both sides. It allows you to make fun of everything, really, so you can do it in a harmless way.
By the very nature of satire or parody, you have to love and respect your target and respect it enough to understand every aspect of it, so you can more effectively make fun of it.
We've managed to keep a spirit of fun, I guess, of urban satire and finding new and odd interesting angles to the ways of life to put on the stage.
'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
You can't debate satire. Either you get it or you don't.
I think comedy and satire are a very important part of democracy, and it's important we are able to laugh at the idiosyncrasies or the follies or vanities of people in power.