The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
Abraham Lincoln went through 12 generals before he got Ulysses S. Grant. He had never done a Civil War before.
He's meant to be that classic Homer, Ulysses, Hercules - a character who goes out or has some gift of some kind. He goes on a journey of discovery and part of that is falling into darkness - the temptations of life.
If you think of all the enduring stories in the world, they're of journeys. Whether it's 'Don Quixote' or 'Ulysses,' there's always this sense of a quest - of a person going away to be tested, and coming back.
Ulysses finds himself unchanged, aside from his experience, at the end of his odyssey.
Sometimes great, banned works defy the censor's description and impose themselves on the world - 'Ulysses,' 'Lolita,' the 'Arabian Nights.'
George Washington, Andrew Jackson, William Henry Harrison, Zachary Taylor, Ulysses Grant, Rutherford Hayes, James Garfield, Benjamin Harrison, Theodore Roosevelt and Dwight Eisenhower all rode their wartime heroics into the White House.
The censors have always had a field day with James Joyce, specifically with 'Ulysses,' but also with his other writings. The conventional wisdom is that this is because of sexually explicit passages (and there certainly are those). I have always thought that what the critics hated and feared about Joyce is his cry for human freedom.
Happy the man who, like Ulysses, has made a fine voyage, or has won the Golden Fleece, and then returns, experienced and knowledgeable, to spend the rest of his life among his family.
'Ulysses' is the greatest anti-racist text in the English language, and it challenges right from the beginning the vicious racism which lies near the foundations of the Irish Free State and of the Irish republic.