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The Marianne Vos Route goes through the seven villages of Aalburg, where I grew up, and celebrates my World and Olympic titles with a number of benches along the route, where you can stop and rest your legs. You'll see the white windmill in Meeuwen and, in Babylonienbroek, a statue of the silver bike I rode to celebrate my Olympic track win.
Designs are increasingly winning competitions because they are literally green, and because somewhere they feature a small windmill.
My grandparents live in Cley, and my dad now has the windmill which is a guest house. So I've spent much time up there, but a lot of it was at school as well, and my dad was sent abroad so often as well with the army.
When I'm building my dome in my chapel, and I had a vision - I've worked on perpetual motion and I haven't never give it up yet. I still think it could be done, perpetual motion. I had a vision of a un resist able windmill.
There isn't a single windmill owner in Holland who doesn't have a second job, for when there is no wind.
I wrote Murder at the Windmill. And it was accepted and we made it and it was the first film I made with Danny Angel, well the only film I actually made... I made a lot of it at the Windmill itself.
I find little in the works of Beethoven, Berlioz, Wagner and others when they are led by a conductor who functions like a windmill.
I was fighting every windmill, especially when I was in college.
To look out of a car in Scania, you see a painting on the horizontal - one windmill, one tiny farmhouse, acres of beet or grass.
I used to write bits and pieces of comedy material for various comics that were at the Windmill... as well as my film job, I was under contract, I was allowed to do that and everything.