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I love books and the latest autobiographies. I'm a Gemini and love being with people, but then again, I love my own company, which is when I read most.
I wish I were one of those terribly clever people who, when they write their autobiographies, always say, when I was fifteen months old I distinctly remember my Aunt Fanny saying to me, etc.
Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
Autobiographies are only useful as the lives you read about and analyze may suggest to you something that you may find useful in your own journey through life.
Great nations write their autobiographies in three manuscripts - the book of their deeds, the book of their words and the book of their art.
I think books, novels and autobiographies have a power to touch people far more personally than films do, so there's a bit more of a responsibility when you then dramatise it.
The biographies and autobiographies are on the whole more impressive than the fiction of the last two decades, but the freakish best sellers among them are least likely to withstand the test of time.
I think that, for me, the great books like that, autobiographies, are great when the artists who write them throw caution to the wind and really put it out there as they saw it.
I wanted to be a classical actress. I plodded along. I went to junior college in San Francisco, I was in a Repertory Company. My hero was Eva Le Gallienne, who was a great theater actress at the turn of the century who created her own company, and she wrote these hilarious autobiographies at the time.
Over the years your bodies become walking autobiographies, telling friends and strangers alike of the minor and major stresses of your lives.