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The choking humidity makes amphibians of us all, in Bombay, breathing water in air; you learn to live with it, and you learn to like it, or you leave.
In the '50s, listening to Elvis and others on the radio in Bombay - it didn't feel alien. Noises made by a truck driver from Tupelo, Mississippi, seemed relevant to a middle-class kid growing up on the other side of the world. That has always fascinated me.
When I wrote the song, I had the sea near Bombay in mind. We stayed at a hotel by the sea, and the fishermen come up at five in the morning and they were all chanting. And we went on the beach and we got chased by a mad dog - big as a donkey.
I do think of Bombay as my hometown. Those are the streets I walked when I was learning to walk. And it's the place that my imagination has returned to more than anywhere else.
You can take the boy out of Bombay; you can't take Bombay out of the boy, you know.
If I wanted, I could have ruled half of Bombay.
These are stories you hear... of people sitting in a mall and being spotted, and you think it will happen to you. And when you're fresh off the boat, and new in Bombay, you want those kind of things! They are magical fables. You want to, somewhere, be a part of it, something people will read about. But reality is different.
'Salaam Bombay' didn't put a halo on the poor. Instead, it said that they will teach us how to live.
More dreams are realised and extinguished in Bombay than any other place in India.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.