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I want a performance style that's more cerebral and emotional than physical. I want to be a creative artist, not a whirling dervish.
I have a son, Mason, who is disabled - cerebral palsy - and he does not walk independently, sit independently or speak. He uses a talking computer. I started becoming an advocate for him when he was 3 years old.
What I love about L.A. and Washington, D.C. is that they're almost the opposite of each other. L.A. is a very creative space while D.C. is a very cerebral space. So, they're the ying and the yang in my world. I like them both for their own reasons.
Smell is a very animal thing, almost reptilian, where the more cerebral things like reading less so.
I completely admire my mother for raising a child with cerebral palsy at home.
It seems that jazz is more cerebral and more mathematical in a sense.
I'm not an advocate for disability issues. Human issues are what interest me. You can't possibly speak for a diverse group of people. I don't know what it's like to be an arm amputee, or have even one flesh-and-bone leg, or to have cerebral palsy.
My vanity is not remotely physical, it is cerebral. I suppose feeling self-conscious might be a form of vanity, though.
I'm more cerebral than I want to be.
I find a difference in British spy fiction and American spy fiction. In the American version, it's more militaristic, partly because the CIA has more of the military makeup. Whereas MI6 is more of a cerebral, intelligence-based, relationship-based service, i.e., all they do is recruit people to get information out of them.