Like all young reporters - brilliant or hopelessly incompetent - I dreamed of the glamorous life of the foreign correspondent: prowling Vienna in a Burberry trench coat, speaking a dozen languages to dangerous women, narrowly escaping Sardinian bandits - the usual stuff that newspaper dreams are made of.
You can learn all about the human condition from covering the crime beat in a big city - you don't need to go to Beirut for that - but a foreign correspondent begins to understand poverty from a different perspective.
Covering Richard Nixon's triumphant run in 1968 turned out to be my last major assignment as a general correspondent for CBS News. In September of that year, '60 Minutes' made its debut and I began the best, the most fulfilling job a reporter could imagine.
I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The mot juste unarriving? Tell that to your desk.
The great thing about being a print journalist is that you are permitted to duck. Cameramen get killed while the writers are flat on the floor. A war correspondent for the BBC dedicated his memoir to 50 fallen colleagues, and I guarantee you they were all taking pictures. I am only alive because I am such a chicken.
When I came back to Washington to be The Times' chief congressional correspondent in 1991, I was looking for a book subject, and Ted Kennedy stood out for two reasons.
There's very little you could do to prepare to be a correspondent on 'The Daily Show,' because it's not being a journalist, it's not being an actor. It involves elements of both of those things, but they're not required necessarily as job experience. It's helpful if you know how to improvise, but again, not a requirement.
Many authors hate to go on grinding book tours. But I've always found it a useful way to be a foreign correspondent in America and take the pulse of the country.
I'm not besotted with the notion of being on CNN to the point that I'm going to suddenly morph into Anderson Cooper or Christiane Amanpour. I'm not a foreign correspondent.
I think I'm still chewing on my years as a foreign correspondent. I found myself covering catastrophes - war, uprising, famine, refugee crises - and witnessing how people were affected by dire situations. When I find a story from the past, I bring some of those lessons to bear on the narrative.