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The thing is that my idols have always been the types of guys who could do anything: Gene Kelly, Fred Astaire, Sinatra, Dean Martin; and when you look up to people like that, you don't accept that you need to be compartmentalised.
My dad was kind of a pool shark and had a Frank Sinatra, Dean Martin thing going on. I've always been fascinated by the fifties because of him. There was a hip, cool, anything-goes atmosphere back then, but looking good was still a priority.
My memories of Las Vegas were all with my father when I was, like, a teenager. He was best friends with Frank Sinatra and Dean Martin, and we'd come up and see the shows and go backstage afterwards and have dinner together. It was one of my first educations about stars and how they really are back stage.
A man should be rugged like Steve McQueen; the way he stands, like he's ready for something. Or he should be a man of the world like Dean Martin.
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of like, you know, Burt Lancaster would be good in this part, and so on. With 'L.A. Confidential,' it was like, 'Wouldn't it be cool if Dean Martin played the Kevin Spacey part?'
In an attempt to amuse my friends and family, I would do impressions of Dean Martin, singing Everybody Loves Somebody. I secretly really enjoyed singing the song.
Dean Martin always dressed very well but then he was a good looking fella with a good physique so he could wear anything.
Not that I'm some rocker, but what I do in a show is probably far more aggressive than what Dean Martin or Bobby Darin ever did.
The original Dean Martin Comedy Hour handed me some hysterical sketches. I've got highlights on tons of these variety shows, given to me by their great writers. I'd love to be doing all that again.
When people ask me if Dean Martin drank, let me put it this way. If Dracula bit Dean in the neck, he'd get a Bloody Mary.