Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
I was not a great guitarist, so I sold my 1960 Fender Stratocaster in exchange for a Shure Microphone, made in Chicago, and a flute.
I met Leo Fender, who is the guru of all amplifiers, and he gave me a Stratocaster. He became a second father to me.
My Portuguese uncle had a Portuguese version of a ukulele. The family would pull it out after dinner and play Portuguese folk songs on it. I couldn't wait for him to finish so I could get my hands on it. I was seven or eight years old. And he used to have a Fender amp in his house and an electric guitar. I would spend hours making sounds.
In early '57, I bought a Fender Telecaster.
Playing a Fender is an art itself. They're always going out of tune.
I like guitars in the Fender style because they have skinny necks.
When I first played the guitar without plugging it into an amplifier, the people at Fender were blown away. They couldn't believe the sound. I said, 'See, gentlemen, the world is no longer flat.'
I have an electric Fender and a Telecaster. I have a Taylor and a Martin. I want to get more guitars for more sounds.
I guess everybody saw it. It's a deal where I'd been racing cars a long time and I knew going around the track the fender was on the tire hard.