I play the baritone horn - which is like a mini tuba, and is the least sexy instrument you can choose, and I generally say I don't play one so I don't have to acknowledge it. I also play fife.
Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.
After I learned the piano, I went on to learn percussion, the tuba, b-flat baritone, French horn, trombone, trumpet, most of the instruments in the orchestra. Trumpet was my instrument.
But if I didn't have to make money, I would still play my horn.
Passive violence can be as simple as someone honking their horn at you for not turning fast enough when the light changes. And it can be highly complex, like when your co-worker undermines all of your work relationships by spreading rumors and lies about you. That's how passive violence rolls.
A guitar player goes on the road, and he misses his girlfriend for a while, but he manages to get along. A horn player gets out on the road, plays two or three towns, and then he'll get lonely, and next thing you know, he's packed up and left. It's better not to hire him in the first place.
I wake up in the morning, I do a little stretching exercises, pick up the horn and play.
Not to toot our own horn, but when 'The Sopranos' was on, it was as good as any movie that was coming out in the theater. I think that goes for a lot of shows today.
I had a really good time in New Orleans, although I had some very tragic times in Baton Rouge. Some guys beat me up and threw my horn away. 'Cause I had a beard, then, and long hair like the Beatles.
Seattle's got a great work force, relatively low cost of starting a company, and just a really good, innovative entrepreneurial DNA. To me it's less about Seattle tooting its horn and more about bold, confident, dare-to-be-different entrepreneurs grabbing on to big ideas. There's a great entrepreneurial ecosystem here that just needs more wins.