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For a lot of people, it's a massive deal to be on the front row at Fashion Week and look perfect. I don't go to be seen; I go to look at the collections and support my friends, like Henry, Giles and Jonathan Saunders. As much as I love clothes and shopping, it doesn't drive me.
My first celeb crush was Hanson. I loved all three of them. My sister and I would always fight, and whenever they would come on the TV, we would always give them a kiss on the TV. And I also had a crush on Jonathan Taylor Thomas. Every time he would come on the screen, he was like my boyfriend. I was such a nerd like that.
I love Jonathan Adler but more importantly I love throws. To clarify, a throw is not to be confused with a blanket. A blanket is to be slept under, a throw is to accent a chair or sofa and give the illusion that in some scenario someone might rest underneath it. In reality, this scenario does not exist and I never want it to.
When I first started out, 'Time' magazine did an article on what it called 'the sick comics,' and they were myself, Shelley Berman, Nichols & May, Jonathan Winters, Lenny Bruce, and Mort Sahl. We were considered 'sick.'
I don't want to see people decorating a house or digging a garden. As for guys like Jonathan Ross, he got an award there last Christmas. What for? He doesn't sing, dance or tell jokes, does he?
Of course, I'd like to earn Jonathan Ross's money, but I don't have sleepless nights wondering when someone's going to knock on my door with sacks of cash.
There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.
Personally, I'd never seen a graphic novel. I knew they existed because friends of mine like Jonathan Ross collect them and some very literate and intelligent people really rate the graphic novel as a form.
Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.'