Over a 10-season stretch from 1967 to 1976, eight Super Bowl champions either were the Raiders or had to beat the Raiders in the playoffs. The Jets, the Kansas City Chiefs, the Baltimore Colts, Miami, the Steelers each of the first two times... we all had to deal with the Raiders.
I spent a majority of my life in Kansas City, so I am a Chiefs and Royals guy. I used to work for the Royals for like five years in the suites department and in the stadium club restaurant.
I like Kauffman Stadium in Kansas City. With the waterfall and things like that, I think it's pretty cool.
Born in Kansas City, Missouri, and knowing nothing about Picasso, I had the audacity to knock on his door, became his friend, and took thousands of photographs, of him, his studios, his life and his friends.
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
I mean, people need to remember without the grassroots, Ronald Reagan probably doesn't become president of the United States of America and he worked the grassroots on a regular basis during his political career and especially between the years of 1976 and 1980 after the loss in Kansas City.
The year after I graduated from high school, they came to shoot 'Mr. and Mrs. Bridge' in Kansas City.
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that's the place where jobs were plentiful.
I was at the 1976 Republican Convention in Kansas City. I was running 'Nobody for President' at the time. I printed up these press releases and handed them out to the crowd at the Kemper Arena. 'Nobody keeps campaign promises.' 'Nobody lowers your taxes.' 'Nobody should have that much power.' 'Nobody is in Washington working for you.'
'Hound Dog' took like twelve minutes. That's not a complicated piece of work. But the rhyme scheme was difficult. Also the metric structure of the music was not easy. 'Kansas City' was maybe eight minutes, if that. Writing the early blues was spontaneous. You can hear the energy in the work.