Luc Ferrari — French Composer born on February 05, 1929, died on August 22, 2005

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So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own.
Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.
With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible.
I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s.
Boulez seemed to me to be a guy who wrote laws. Like a company lawyer.