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I grew up, as many Indians do, in an archipelago of tongues. My maternal grandfather, who was a surgeon in the city of Madras, was fluent in at least four languages and used each of them daily.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
I joined the Madras Christian College but dropped out after three months. Telugu music director Ramesh Naidu asked me to assist him, and I did so for over a year. I did think of rejoining college, but by then, I was discovering the musician in me. I worked with Illaya Raja and Raj Koti and soon shifted to commercials. This led to movie offers.
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
I've been to Delhi, Madras, Bangalore and a lot of other cities, but I have never seen a crime set-up like that in Bombay.
The double hundred Fowler hit in the Madras Test was an absolute beauty.
When I was growing up in the south Indian city of Madras, there were only two political parties that mattered; one was run by a former matinee idol, and the other was run by his former screenwriter.
My dad's whole family is in Madras and I was born in America so we didn't have that big Indian community. I don't really have anything interesting to say about it. When I talk about it people are like, 'meh, let's talk about something else.'