Thank you! Don't forget to confirm subscription in your email.
I'm a big, bombastic novelist and thrill-ride guy. I'm never going to win the National Book Award.
A house with any kind of age will have dozens of stories to tell. I suppose if a novelist could live long enough, one could base an entire oeuvre on the lives that weave in and out of an antique house.
Mark Twain was a great traveler and he wrote three or four great travel books. I wouldn't say that I'm a travel novelist but rather a novelist who travels - and who uses travel as a background for finding stories of places.
That balance between involvement and detachment is what novelists do. It's the ideal relationship between a novelist and a character, I think, total involvement and identity and empathy, stopping short of being autobiographical - in my case, anyway - but also quite detached.
I've always liked the idea that writing is a form of travel. And I started my writing career as a mystery novelist for adults.
Jane Austen was an extraordinary woman; to actually be able to survive as a novelist in those days - unmarried - was just unheard of.
Working on an adaptation is not as satisfying, because it's not your original work: you're interpreting. With 'L.A. Confidential,' I loved the book. In that case, I felt I was guardian of the work, staying as true to the novel as I could. I've since met the novelist, and he loves the movie and the script.
As a novelist, there are three phone calls you never expect to receive in your lifetime because if you waited for them you would grow despairing - one calling from Stockholm with a Swedish accent, one from the NBA, and one from Oprah Winfrey.
All my siblings became artists. One's a novelist, my brother is a painter, my sister was a costume designer.
As a novelist, I tell stories and people give me money. Then financial planners tell me stories and I give them money.