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In a world where discovery is more important than delivery, it's the people who find, remix and direct attention to old stuff that should be rewarded, not the people who deliver it or sit on it waiting for someone to show up.
I have rituals for cleaning out resentments, disappointments, heartbreak, depression and for work. One of the things I do is go over old stuff if I have been unable to write for a while.
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
I am a classical music lover - not necessarily the contemporary stuff, but the old stuff.
One of my rules is: Never listen to your old stuff.
I think it's important that we have a new batch of British film-makers that aren't doing the same old stuff. And that includes me.
I don't live in the past or focus on making new songs sound like my old stuff; it would be stupid, and I don't think anyone would like it.
We are in an electronic technology age now and it's about time we put away the old stuff.
One of the best things about folklore and fairy tales is that the best fantasy is what you find right around the corner, in this world. That's where the old stuff came from.
I really like the old stuff that I cut my musical teeth on, and I loved it when the industry was just like that, without really a genre. Today, country radio's more aimed at a demographic than a genre. It just softens everything.