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I live in New York, and the only live animals you see are cockroaches, rats and pigeons, which I admire immensely. When I see an animal that thrives in the garbage, I feel relief; in our urban environment, other animals are dying out.
But charity is a very complicated thing. It's important to find an area where you can really help and you can feel the results. Charity is not like feeding pigeons in the square. It is a process that requires professional management.
I write a ridiculous number of drafts. The characters change and grow through the drafting, and my understanding of them deepens. Creating characters in a novel is like shooting at clay pigeons and missing, and then missing more productively as the narrative continues.
I don't understand why people would want to get rid of pigeons. They don't bother no one.
It'll certainly give the pigeons something to do.
Pigeons are gentle and smart and have complex social relationships. Their hearing and vision are both excellent.
Whoever becomes the head of the National Theater finds himself in a position like that of Nelson's Column - pigeons dump on you because you're there.
In my real life I live in the countryside, I walk a lot, I shoot clay pigeons, I don't get involved in the film business or anything, and then in my cinematic life, I think I am drawn to the dark side.
Each week, I post a video about some 'Pigeon of Discontent' raised by a reader. Because, as much as we try to find the 'Bluebird of Happiness,' we're also plagued by those small but pesky 'Pigeons of Discontent.'
I love the pigeons. I just raise them, period, and feed them. Pigeons go away, and they always come back. You get a touch of freedom, and then they are free to come back to you. I love the idea of pigeons.