Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don't have to bring the characters to life, but you do have to make them more convincing.
I'm a passionate believer in revision, and a lot of my writing gets done during revision process. It isn't just tweaking: I tend to break it apart and remake it every time I do a new draft.
The backbone of any improvement of governance, its development as well as its protection from any form of wastage or excessiveness, is a mechanism to place laws under the microscope of revision and modernization until they resonate in tune with the methodological development and new administrative technologies.
Revision is the heart of writing. Every page I do is done over seven or eight times.
It was my dream, and probably the dream of every one of us, to bring about a revision of the Versailles Treaty by peaceful means, which was provided for in that very treaty.
I'm obsessive. That's the word for me. I obsess - perhaps to the point where it's moderately dysfunctional. I tend to put a book through about 100 revisions. If anything, that's an understatement. If there's another author out there who does this sort of revision, I would really like to meet him. Maybe we could form some sort of support group.
Real equality is immensely difficult to achieve, it needs continual revision and monitoring of distributions. And it does not provide buffers between members, so they are continually colliding or frustrating each other.
My reputation for writing quickly and effortlessly notwithstanding, I am strongly in favor of intelligent, even fastidious revision, which is, or certainly should be, an art in itself.
The new 'Joy' was needed for a number of reasons. Recent developments in nutrition and new ingredients were two of the major reasons for the revision. One of the other big reasons was America's new love for big flavors. Yay!
All the revision in the world will not save a bad first draft: for the architecture of the thing comes, or fails to come, in the first conception, and revision only affects the detail and ornament, alas!