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I mean, there's times to rock and roll, and I love that too. But I think my first love is acoustic music.
The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
People called rock & roll 'African music.' They called it 'voodoo music.' They said that it would drive the kids insane. They said that it was just a flash in the pan - the same thing that they always used to say about hip-hop.
Ian Gillan, Roger Glover and I wanted to be a hard rock band - we wanted to play rock and roll only.
It all started when my dog began getting free roll over minutes.
I'm like a middle-aged person; when my friends go on about modern bands, I don't know what they are talking about. I'm into rock n' roll, like Jimi Hendrix. Not so much because of my parents, who used to play a lot of Nina Simone and older blues, but my brother and sister.
There's always gonna be rock n' roll bands, there's always gonna be kids that love rock n' roll records, and there will always be rock n' roll.
You play a 'lowdown dirty shame slow and lonesome, my mama dead, my papa across the sea I ain't dead but I'm just supposed to be' blues. You can take that same blues, make it uptempo, a shuffle blues, that's what rock n' roll did with it. So blues ain't going nowhere. Ain't goin' nowhere.
The Beatles' story is all of our stories. It is about how the youth culture emerged, the drug culture emerged, how politics rose to the fore as a universal debate. It's about rebellion, it's about the growth of the British entertainment system, the growth of the rock n' roll entertainment system.
I love what Alabama Shakes is doing - it's kind of like what grunge did to rock 'n' roll, they're doing to R&B.
