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In 'Gravity,' nearly everything is a metaphor for the main character. The way I tend to approach a film is that character and background are equally important; one informs the other. Here, Sandra Bullock is caught between Earth and the void of the universe, just floating there in between. We use the debris as a metaphor for adversity.
I always told, Sandra Bullock was my student when she was younger, I always told her it's important that we hold on to our insecurity, the wisdom of insecurity.
I taught Sandra Bullock when no one knew who she was. I talked her out of quitting. I put her in a showcase.
When I read Toni Morrison and Sandra Cisneros as a freshman at Rutgers, it all clicked - that writing was all I wanted to do. It became my calling.
I came here when I was almost 22. I'm perfectly bilingual, but I'm never going to sound like Sandra Bullock.
I owe a debt of gratitude to two other living Justices. Sandra Day O'Connor and Ruth Bader Ginsburg paved the way for me and so many other women in my generation. Their pioneering lives have created boundless possibilities for women in the law. I thank them for their inspiration and also for the personal kindnesses they have shown me.
Well, I think In Love and War, which had a wonderful performance by Sandy, Sandra Bullock, who the authorities and, the supposed authorities, in cinema didn't want to know about.
Julia Roberts and Sandra Bullock do romantic comedies. I do dark dramas. I do these movies well.
What was a problem was the excessive amount of media attention to the appointment of the first woman and everything she did. Everywhere that Sandra went, the press was sure to go. And that got tiresome; it was stressful.
People ask me what I'm writing. They think I'm Sandra Tsing Loh. Or they ask about stand-up. 'No, that's Margaret Cho.' I really think there is this kind of glomming, that they think we are somehow all the same person.