I do have some theatrical background. I've written plays and seen plays and read plays. But I also read novels. One thing I don't read is screenplays.
My cure for writer's block is to step away from the thing I'm stuck on, usually a novel, and write something totally different. Besides fiction, I write poetry, screenplays, essays and journalism. It's usually not the writing itself that I'm stuck on, but thing I'm trying to write. So I often have four or five things going at once.
I think of myself as a guy who tries to write screenplays and now has tried to direct one. Anything more than that is meaningless and it gets in the way of being a real human being.
I've started movies without screenplays both on 'Clash' and on 'Hulk,' and that is tremendously stressful because you have a tendency to overcompensate with effects. You haven't tested it in your head. You didn't run it over and over again and covered all of the plot holes and figure it out. It's a marathon that you sprint.
Coffee shops are everywhere, especially in Los Angeles, chock full of sad sacks desperate to make sure their screenplays make it into the right hands... or any hands, for that matter. The one thing that makes a coffee shop truly great, though, is charm.
I began writing fictional stories and little screenplays when I was in fifth grade.
I've written about 15 screenplays and they all sold - they were all sold on pitches.
I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
For me, if Shakespeare was around today, he'd be writing screenplays - a big Hollywood movie.
I wrote one terrible manuscript after another for a decade and I guess they gradually got a little less terrible. But there were many, many unpublished short stories, abandoned screenplays and novels... a Library of Congress worth of awful literature.