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In film, we sculpt time, we sculpt behaviour and we sculpt light.
When I do a mask, I do try to put a lot of character and a lot of expression into the sculpt.
You find me at work; excuse the dust on my blouse. I sculpt my marble myself.
For me, comedy starts as a spew, a kind of explosion, and then you sculpt it from there, if at all. It comes out of a deeper, darker side. Maybe it comes from anger, because I'm outraged by cruel absurdities, the hypocrisy that exists everywhere, even within yourself, where it's hardest to see.
For a long time, I dressed like an idiot. In college, I had a fully shaved head with just two horns. Like, a coxcomb of hair that I would sculpt into two horns. I looked like a crazy person.